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Post-production and VFX

Plates, passes and finishing, inside your edit

The jobs that eat days in post, done from Blender’s Video Sequencer: clean plates, mattes, relighting passes and 4K detail. Results come back frame-aligned with your source, and in EXR where the pipeline needs it.

Clean plates

Passers-by removed from a locked-off shot and the background rebuilt behind them, ready to use as a background plate.

Clean Plate

SourceClean plate
Clean Plate: every passer-by removed from a locked-off street shot, and the shop fronts and paving behind them rebuilt.Source: Xiph.org test media, “pedestrian_area” (Taurus Media Technik), CC0

Cut-outs without a green screen

The subject with a real alpha channel and its matte, frame-aligned with the clip. No mask, no prompt, no keying.

Cut-out (Alpha)

SourceCut-out
Cut-out (Alpha): the subject with real transparency, shown here over a checkerboard. No green screen or mask.

Passes from live action, then relight

Normal, base colour, depth, roughness and metallic passes made from your footage, as EXR frames. The relighting runs in Blender, so you can move lights and change the look as often as you like.

VFX Passes and Relight

SourceRelit

The passes it was relit from

NormalNormalBase colourBase colourDepthDepthRoughnessRoughnessMetallicMetallic
Live-action footage relit to golden hour in Blender from its VFX Passes. The deliverables are EXR.Source: Tears of Steel EXR plates, (CC) Blender Foundation, mango.blender.org, CC BY 3.0, cropped and relit

HD to 4K with real detail

Refine Details doubles a shot to 4K and adds fine detail in textures, foliage and faces; on real footage where faithfulness matters, judge it closely. Upscale ×2 (LTX 2.5) doubles AI-generated shots up to 4K and invents fine detail as it goes, so keep it for AI shots: on real footage it redraws.

Refine DetailsUpscale ×2 (LTX 2.5)

HD sourceRefine 4K
Refine Details at 4K, a crop shown at 100%: the 1920×1088 shot enlarged on the left, the 3840×2176 result on the right. The source is our own AI-generated shot.

Fixes by prompt

Add, remove or replace something with one sentence, or restyle a shot to a reference look while its motion and camera stay.

Edit by PromptRestyle

SourceEdited
Edit by Prompt: “a small red wooden rowing boat floating on the water in front of the cottage”. The whole frame is re-rendered, so details elsewhere shift slightly. The source is our own AI-generated shot.

HDR and EXR

Convert to HDR rebuilds an SDR shot as a scene-linear EXR master for grading. EXR or DPX frame sequences can go in as the source, and 16-bit EXR masters can come back.

Convert to HDR

SDR, −3 stopsHDR master, −3 stops
Convert to HDR: both sides pulled down three stops, as a grade would. The SDR source’s clipped sky turns flat grey; the scene-linear EXR master keeps the sun and the glowing cloud, reconstructed up to 55 times display white. The source is our own AI-generated shot.

Frame-aligned

Results come back at exactly the frames you sent and are placed in line with their source on the timeline.

Long shots in parts

A shot longer than one job is made in overlapping parts joined by crossfades, with the whole estimate shown before you approve. In Refine Details and Upscale ×2, each part continues the end of the one before, so lettering and fine detail stay the same across the joins.

A record of every job

Each clip carries a receipt of the model, the settings and the payment, checked by your own computer.

Every tool for this work

LTX 2.5

Clean Plate

People and moving subjects removed, the background rebuilt behind them.

LTX 2.5

Cut-out (Alpha)

The subject cut out with real transparency and a matte. No green screen.

NVIDIA Cosmos

VFX Passes and Relight

Normal, base colour, depth, roughness and metallic passes from live-action footage, then relight it.

LTX 2.5

Refine Details

Fine detail added to soft or upscaled footage, up to 4K.

LTX 2.5

Upscale ×2 (LTX 2.5)

AI-generated shots at twice the size, with new fine detail.

LTX 2.3

Edit by Prompt

Add, remove, replace or restyle something in a shot with a sentence.

LTX 2.3

Restyle

Restyle one frame, and the whole shot follows: motion and camera kept.

LTX 2.3

Convert to HDR

An SDR shot rebuilt as a scene-linear HDR EXR master for grading.

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