Filmmakers and production companies

The shots you didn’t get on the day

Make the shots the schedule or the budget did not allow, inside the edit you are already cutting in Blender. Every shot is priced before it renders and lands on your timeline next to your footage.

From layout to a finished shot

Block the shot in Blender with grey shapes and a camera move, add one picture for the look, and get back a finished shot that keeps your camera and placement. Previs that becomes the shot.

Layout to Render

Layout to Render: a grey Blender layout becomes the finished shot, its camera move kept.

Slow motion from a still

Pick a frame and a speed, down to forty times slower. The motion is generated slow rather than stretched, so there are no repeated or blended frames.

The photograph, speed 0.2 — Slow Motion at speed 0.2 (five times slower): 121 frames generated from one photograph, the first frame of the clip.Photograph: US Fish and Wildlife Service, Mountain-Prairie region, public domain

The establishing shot you never got

An establishing shot, a cutaway or a transition between two frames you already have, generated where the playhead is.

Text to Video Image to Video First-Last Frame

Text to Video: a 5-second shot generated from one paragraph describing it, at 1920×1088.

Drafts to full resolution

Make drafts small and quick, then take the ones you keep to twice the size, up to 4K, with new fine detail: fur, hair, number plates and textures come back sharp. For AI-generated shots; real footage has its own tools.

Upscale ×2 (LTX 2.5)

Upscale ×2 (LTX 2.5), a crop shown at 100%: a 768×512 AI-generated close-up taken to 1536×1024. The left side is the same source enlarged with a standard (Lanczos) filter. The source is our own AI-generated shot.

Coverage from a single take

Re-film a take from a camera position you choose, or reframe it for vertical screens with the edges painted in.

New Camera Angle Outpaint

New Camera Angle: the same moving shot re-filmed 30 degrees round and 10 degrees higher, from one take. The source is our own AI-generated shot.

Change the conditions

Turn a daylight shot into night, or add rain, a river or a flood, while the subject, framing and motion stay the shot you filmed.

Day to Night Water

Day to Night: a summer afternoon on a pedestrian street turned to evening, the shop windows lit, every passer-by kept in place.Source: Xiph.org test media, “pedestrian_area” (Taurus Media Technik), CC0

Keep a look consistent

One reference sheet carries characters, props and places from shot to shot.

Ingredients (Reference)

Ingredients: one reference sheet (two body views, a face close-up, a location) and the shot made from it, the character kept as drawn. Sheet and shot are our own AI-generated material.

In the edit, not a browser tab

Select strips on the Video Sequencer, check the price, press Generate. The result is placed on the timeline for you.

Priced before you pay

The exact cost shows before anything renders, and that is what you are charged.

Open models

Lightricks’ open-weights LTX 2.3 and LTX 2.5, run on independent GPU hosts.

Every tool for this work

Layout to Render

A grey layout of your 3D scene turned into a finished shot.

Slow Motion

Slow motion from a single still, down to 40 times slower.

Text to Video

A new clip from a written description.

Image to Video

Animate a still forward from its first frame.

First-Last Frame

Motion between two stills you place on the timeline.

Upscale ×2 (LTX 2.5)

AI-generated shots at twice the size, with new fine detail.

New Camera Angle

The same take, re-filmed from a camera position you choose.

Outpaint

Reframe a shot to a new aspect ratio and paint the new edges.

Day to Night

A daylight shot turned into the same shot at night.

Water

Rain, rivers, floods or splashes added to a shot you filmed.

Ingredients (Reference)

Characters, props and places kept consistent from one reference sheet.

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